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・ Roger Bolton
・ Roger Bolton (producer)
・ Roger Bonair-Agard
・ Roger Bontemps
・ Roger Bonvin
・ Roger Booth
・ Roger Bootle
・ Roger Bootle-Wilbraham, 7th Baron Skelmersdale
・ Roger Bordier
・ Roger Borniche
・ Roger Borsa
・ Roger Bossard
・ Roger Bosworth
・ Roger Bothe
・ Roger Bourbonnais
Roger Bourdin
・ Roger Bourke White
・ Roger Bourland
・ Roger Boutet de Monvel
・ Roger Bowen
・ Roger Bower
・ Roger Bowling
・ Roger Bowling (fighter)
・ Roger Bowman
・ Roger Boyes
・ Roger Boylan
・ Roger Boyle (bishop)
・ Roger Boyle (disambiguation)
・ Roger Boyle, 1st Earl of Orrery
・ Roger Boyle, 2nd Earl of Orrery


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Roger Bourdin : ウィキペディア英語版
Roger Bourdin
Roger Bourdin (14 June 1900, Levallois-Perret - 14 September 1973, Paris) was a French baritone, particularly associated with the French repertory. His career was largely based in France. His daughter is Françoise Bourdin.
== Life and career ==

Bourdin studied at the Paris Conservatory, where he was a pupil of André Gresse and Jacques Isnardon. He made his professional debut at the Opéra-Comique in 1922, as Lescaut in ''Manon''. His debut at the
Palais Garnier took place in 1942, in Henri Rabaud's ''Mârouf, savetier du Caire''. The major part of his career was to be spent between these two theatres, where he created some 30 roles.
Bourdin seldom performed outside France, but did a few guest appearances at the Royal Opera House in London, La Scala in Milan, and the Teatro Colón in Buenos Aires. He also sang in the first performance of surviving fragments of Chabrier's ''Vaucochard et fils Ier'' on 22 April 1941 at the Salle du Conservatoire with Germaine Cernay, conducted by Roger Désormière.
His most memorable roles were: Clavaroche in André Messager's ''Fortunio'', Metternich in Arthur Honegger and Jacques Ibert's ''L'Aiglon'', Duparquet in Reynaldo Hahn's ''Ciboulette'', Lheureux in Emmanuel Bondeville's ''Madame Bovary'', the lead in Darius Milhaud's ''Bolivar'', but also standard roles such as Valentin, Athanael, Onegin, and Sharpless. In all he sang an estimated 100 roles throughout his long career.
Bourdin was also active in operetta, and as a recitalist. After
retiring from the stage in 1959, he became a teacher at the Paris Conservatory.
He can be heard in two complete recordings, ''Faust'' and ''Thais'', opposite his wife soprano Géori Boué, as well as ''Werther'' and ''L'heure espagnole''. He also appeared in the film of Messager's operetta ''Coups de roulis'' and ''Le Barbier de Séville''.

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